A quick look at what we have in our anniversary issue, and notes from the editors.
Once again, film recommendations for many moods, in many languages.
Anusha reports from the 33rd edition of ReelQ Film Festival in Pittsburgh.
Amit Agarwal takes a close look at Mrinal Sen’s 1982 film Kharij.
Michael Derrick writes about Hollywood’s tryst with horror, and Nicolas Winding Refn’s polarizing film, The Neon Demon.
Kasper Håkansson writes about a novel that is part historical fiction and part nightmare. What if cinema was a tool for world domination?
Kasper Håkansson skriver om en roman, der er delvist historisk fiktion og delvist et mareridt. Hvad hvis film var et redskab til at opnå verdensherredømme?
Anusha attends Silk Screen film festival in Pittsburgh.
Priyadershini watched Kamila Andini’s film and attempts to recreate her journey.
Anusha writes about ReelAbilities Pittsburgh, a film festival with a difference.
Why watch a movie? Why write about it? Madhu has questions, and maybe some answers.
Ramchander’s notes from Sg.SAIFF 2018.
Ramchander met the filmmakers when they were in Singapore, for Sg.SAIFF 2018.
A short interview with the team behind MFSC.
Jayanthi Sankar spends a day at the Singapore South Asian International Film Festival 2018.
An interview with Amit Agarwal, Artistic Director of the Singapore South Asian International Film Festival.
A short essay by Sara Siddiqui Chansarkar, about the potent power of nostalgia, and a song from the Hindi film Pakeezah.