Ramchander recaps for us a panel discussion he attended during SGIFF 2019.
Anusha Srinivasan attends the young, indie film festival in Toronto.
Hanako Lowry writes about attending the Japanese Avant-Garde Experimental Film Festival in London.
Ramchander’s notes from Singapore International Film Festival 2019.
Ramchander writes about Bharathiraja’s OM and Parthiban’s Oththa Seruppu, screened at Singapore South Asian International Film Festival.
Rose Dymock writes about Ken Loach’s conversation with his collaborators at Cannes 2019.
Ramchander writes about his experiences at the European Union Film Festival.
Ramchander shares a scene each from the ten European movies he watched at the film festival.
Carla and Henrik attended the screening of La Novia at the EUFF 2019, representing The World of Apu.
Aswin Ramachandran attended the Dalit Film and Cultural Festival (DALIFF) in New York earlier this year, and wrote about it…
Brief notes from Iniyavan Elumalai, who attended the International Film Festival at Rotterdam this year.
P. Lakshmi Narayanan attends the Independent Film Festival of Chennai 2019.
பி.லெட்சுமி நாராயணன் சென்னை சுயாதீனத் திரைப்பட விழாவில் தனது அனுபவத்தைப் பகிர்கிறார்.
Anusha reports from the 33rd edition of ReelQ Film Festival in Pittsburgh.
Anusha writes about ReelAbilities Pittsburgh, a film festival with a difference.
Jayanthi Sankar spends a day at the Singapore South Asian International Film Festival 2018.
Pradheep reports from the Chennai International Queer Film Festival 2018.
சென்னை சர்வதேச குயர் திரைப்பட விழாவில் இருந்து பிரதீப் பாலுவின் குறிப்புரை.
Martha reports from die Seriale, the oldest festival in Germany dedicated to independent web and digital series.
Anusha Srinivasan writes about the Italian film Easy, and her experience of watching it.
Ramchander writes about the Iranian film Disappearance, which won the award for Best Asian Feature at SGIFF 2017.
Ramchander writes about the Thai film Malila The Farewell Flower, one of the films in competition at the Singapore International…
Ramchander writes about the Israeli film Scaffolding, one of the films in competition at the Singapore International Film Festival 2017.