Anusha writes about the men in Eeb Ally Ooo! and Nasir.
A conversation with the director and two of the cast members of the feature film DOTS, shot and produced remotely during lockdown.
Ramchander gives us a taste of Isai’s poems that observe life through the lens of Tamil cinema.
Antara creates a comic panel based on the futuristic movie Her.
Sanjana watches Roopa Rao’s Kannada film Gantumoote and draws her thoughts.
Take a look!
Editor’s note; but Anusha gets carried away.
Julia Shiota revisits part of the legendary artist’s filmography.
Konstantinos has a few questions up his sleeve!
Shakila Zamboulingame analyses the representations of women in this iconic Tamil film from 1952.
The team behind Baaki Pictures talks to us about documentary filmmaking.
Brett Chapman talks to us about his short films, his filmmaking journey, and his influences.
Ramchander recaps for us a panel discussion he attended during SGIFF 2019.
Rafaella shares with us a couple of poems from her collection Prelúdio in Blue.
Pranav Kumar writes a poem inspired by Bergman’s Cries and Whispers.
Keerthana’s rendering of visuals from the Lebanese film Capernaum
Take a look!
Anusha Srinivasan attends the young, indie film festival in Toronto.
Konstantinos writes about the film that gave audiences a peek into youth culture and English society during the Thatcher era.
Manon de Reeper, the founder and editor-in-chief of Film Inquiry talks to us about running a magazine, film journalism, film cultures across continents, and so much more.
Joshua Smith and Dr. George Crosthwait talk to us about making the avant-garde accessible.
Tehmina Khan shares her thoughts on Céline Sciamma’s Portrait of a Lady on Fire.
Anusha visits Koogai, a cinema library in Chennai.
Find out what’s in store!
Hanako Lowry writes about attending the Japanese Avant-Garde Experimental Film Festival in London.
Ramchander’s notes from Singapore International Film Festival 2019.
The World of Apu speaks to Vamsi and Uma Kathir, the makers of a documentary on Tamil writer Rajendra Cholan.
What is it like to direct a movie in your home, with your parents making up the cast?
What does it take to make a movie that doesn’t shy away from reality?
Konstantinos introduces us to a case study of existentialism through the lens, montage, and music.